Analysis of queen elizabeth armada portrait

But when the Spanish launched the actual invasion, delivery from the threat seemed miraculously easy. The phoenix, the ermine and the sieve - three key symbols of Elizabeth I A phoenix is a mythological bird which never dies but, after years, is consumed by fire and born again, making it a symbol of the Resurrection, endurance and eternal life.

the weary sovereign portrait

Internal plots to overthrow her were especially rife in the s and the execution of her cousin Mary Queen of Scots for treason in had done little to calm matters down. However, none of the descriptions exactly match the fan in this portrait.

Analysis of queen elizabeth armada portrait

Both scenes show a fleet. Iconography[ edit ] The combination of a life-sized portrait of Elizabeth I with a landscape format is "quite unprecedented in her portraiture", [2] although allegorical portraits in this format, such as the Family of Henry VIII: An Allegory of the Tudor Succession attributed to Lucas de Heere , [3] pre-date the Armada Portrait. It is an outstanding historical document, which summarizes the hopes and aspirations of the state as an imperial power, at a watershed moment in history. Cropped Armada portrait highlighting background. The "Pelican Portrait" of Queen Elizabeth 1 c. Internal plots to overthrow her were especially rife in the s and the execution of her cousin Mary Queen of Scots for treason in had done little to calm matters down. Military victories and political change are divorced from the figure of the monarch — she functions as a very different icon years on: as a role model for personal integrity and conduct. In the painting, Elizabeth is pointing to Virginia, which was named after her. The propaganda potential was considerable and the Armada portrait was no doubt commissioned in order to capitalise on this. Her portraits have long since passed the time when they needed to show she was the rightful queen; Elizabeth is the monarch.

This is the golden age of Elizabethan England, the "good times" so far removed from the broken country she inherited four decades before. Like many Tudor portraits, it is packed with meaning and metaphor.

elizabeth i coronation portrait analysis

She is positioned as a calm force for good, in contrast with the chaos of Catholic Europe. No landing forces reached English shores.

This is also a 'secondary' image. This symbol was used to glorify Elizabeth's virginity and associate England with the Roman Empire.

The armada portrait analysis

The painting will now undergo a period of necessary conservation to restore its fragile painted surfaces in , during which time it will be off display, and will then be part of an exhibition programme and outreach activities. The second Elizabeth Fast forward to images of the second Elizabeth, HRH Elizabeth II, now in the seventh decade of a reign whose longevity has outstripped even that of her Renaissance predecessor, and a different kind of royal portrait emerges. Internal plots to overthrow her were especially rife in the s and the execution of her cousin Mary Queen of Scots for treason in had done little to calm matters down. A portrait with a hidden serpent, c. This spectacular image has inspired countless portrayals of Elizabeth I in film, theatre and television, and has been instrumental in making her one of the most recognizable historical figures today. Using our collections for research The collections at Royal Museums Greenwich offer a world-class resource for researching maritime history, astronomy and time. Here her reign is measured by meaningful events, and in the Armada portrait, she is curiously, magnetically androgynous in being both a woman in body but a divinely appointed king in her actions. Her image speaks of graceful age and experience and images of old women projecting age in a positive manner remain surprisingly few and far between. The Tudor rose was used in Queen Elizabeth I's portraits to refer to the Tudor dynasty and the unity it brought to the realm. In the Middle Ages the pelican came to represent Jesus sacrificing himself on the cross for the good of mankind and the sacrament of communion, feeding the faithful with his body and blood.

The value of the Armada painting lies in its masterful storytelling, beautifully executed by the unknown painter who committed the narrative to canvas sometime after the actual events of the feared and foiled invasion.

Elizabeth, in a splendid and jewelled gown, occupies the centre of the painting, flanked by two images. However, the crown on the table to the right is by another artist and appears to have been added at a very late stage. Dogs were used to represent faithfulness, and the breed associated with the Tudors was the greyhound.

At the time the victory was viewed as nothing short of miraculous and a sure sign of divine support for the rule of the Virgin Queen, Elizabeth I.

Rated 7/10 based on 19 review
Analysing Portraits / Historical Association